About
To mark the 25th anniversary of Interface Design at Muthesius University of Fine Arts and Design, the exhibition Embodied Interaction explored the theme of the gym. The works reinterpreted old training machines into objects that let users rediscover their bodies through sensation and awareness.
The Rowing Machine
Once a discarded rowing trainer built for pure performance, this piece is reborn as a sculptural experience. It transforms rowing into a human-centered act—less about strength and speed, more about presence, rhythm, and the delicate play between glide, motion, and (im)balance.
Rowing Machine
Semester Project
2025
Muthesius University of Fine Arts and Design
Teampartner: Noah Zoller
Design
The design follows its function, shaped by the constraints of time and the possibilities of our in-house workshops. Every element was built on-site—crafted, welded, and refined by hand. The fully welded steel frame gives the object its strength and stability; its brutal honesty was not only intentional but necessary. This raw construction carries a sense of purpose and presence, capturing attention through its weight, precision, and unembellished form.
(Im)balance
Inspired by the way a boat rests on water, the central rail and seat are suspended within the frame by tension bands. Sitting down—entering the “boat”—becomes a small challenge, demanding focus and control. Once seated, the first movements feel unsteady, echoing the gentle instability of real rowing. This deliberate imbalance draws the user in, engaging both body and mind before the motion even begins—and turning the act into playful discovery.
Speed
Just as a real boat gains stability with motion, this machine responds to momentum. When the flywheel reaches a certain speed, a small motor tightens two strings connected to the suspended rail, subtly pulling the system together. The once-shifting structure becomes steadier, translating the sensation of acceleration into physical balance—and letting the user feel speed take form.
